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The identity of the striking decorative pattern on the vessel is obscure. A view of the underside of the gold finial Fig. This web enabled a fusing of indigenous innovation with foreign inventiveness, a synthesis of disparate ideas, aesthetics and technologies in the silver, gold and bronze objects presented. As with other great Eurasian empires, Tibetans projected their might and influence well beyond the confines of their core cultural, ethnic and linguistic territory. A close-up view of the decorative pattern on the silver bowl Fig. Like the silver bowls of the Pine collection, these cups are broad and fairly shallow. Another territory culturally and geographically at the intersection between Central Asia and the Tibetan Plateau was the Tarim Basin.
Welcome to the twelfth anniversary issue of Flight of the Khyungyour vehicle to ancient Tibet! Beginning as a blog about my research activites, this online publication has grown over the years, supplying original articles general interest and fully annotated varieties on a range of subjects mostly pertaining to the history, archaeology and art of early Tibet. Starting last year, Flight of the Khyung also features a monograph series. As regular readers will know, two scholarly monographs, one on tiered shrine rock mature women in sgo lugs in Upper Tibet and one on ancient rock inscriptions of the same region, have been recently published here. The current issue is also devoted to a scholarly monograph. This work explores extraordinary pre-Buddhist silver, gold and bronze objects hitherto unknown to scholars and mature women in sgo lugs. It engages in much detective work across the vast expanses of the Eurasian continent to hunt down the sources of inspiration and technical know-how for these precious articles.